DALLAS THEME DRUMMER JOHN DOTE'
Dallas, the saga of the Ewing Family, began as a five part mini-series in 1978. Throughout it's thirteen seasons, many actors passed through the gates of Southfork. Below are the main cast, but in addition you find throughout the episode synopsis, many other faces, some familiar, some soon to be familiar faces creating drama for the Ewings!
In the late 1960's, Peyton Place was a nighttime serial drama success—a novelty at the time. But since then, no P.M. show had caught the soap opera crowd's attention… until Dallas. The show first went on the air for a five week run in early 1978, and then fell into a Saturday nighttime slot later that year.
Ratings were fair, but they were nothing compared to when the show moved to Friday nights, when the ratings well didn't run dry for a long, long time.
The Ewing family lived at the sprawling South Fork ranch, in hoity-toity Braddock County just outside Dallas. Like any good power family, there was a matriarch and patriarch, and three sons— this core group, their extensive romantic relations, and the Barnes clan of rival oilers were all Jacobs needed to create a self-contained histrionic world of intrigue, dysfunction and passion. Borrowing from Romeo and Juliet, the youngest Ewing boy, Bobby, fell for a beautiful Barnes girl. And with a nod to the biblical Cain and Abel, Bobby and older brother J.R. didn't exactly play nice with each other like you might expect brothers to. Whereas J.R. was nearly a hundred percent scoundrel, Bobby had discernable streaks of honesty and integrity…but that patented Ewing viciousness certainly reared its head once in a while. The South Fork ranch housed Jock and Miss Ellie, the king and queen of South Fork, J.R. and long-suffering wife Sue Ellen, and Bobby and Pamela…though why they all lived under one roof demands a little poetic license, because money certainly wasn't a problem, and it wasn't like there was a whole lot of binding inter-family harmony.
Here's just a taste of the drama devices that ensued: insane asylums, car accidents, affairs, illegitimate children, gunfights, fistfights, catfights, lies, drinking problems (both real and imagined), poufy 80's hairstyles for the ladies and best of all, notorious season finale cliffhangers.
The most famous, of course, came at the end of the 1979-80 season, when a mysterious late-night intruder shot J.R. in the chest while he was toiling away at the office one night. The resulting "Who Shot J.R.?" publicity raced around the globe, because by that time, Dallas was an international hit in just about every developed country in the world. Odds on the shooter's identity were figured, bets were placed, and theories were construed– since there were about fifteen possible candidates, fans and pundits were kept very busy indeed. Don't read the next part of this sentence if you want to remain one of the few of-age humans who doesn't know whodunit… it was Kristin, J.R.'s scorned sister-in-law and recent romantic entanglement.
Dallas was conceived as a show that had plenty of sex and romance for the female audiences, and a lot of cowboy posturing and business intrigue for the male viewers. The formula worked, because by the early 1980's, it was one of the most popular shows in TV history. There were magazine covers galore, a spin-off named Knots Landing about Gary, the middle Ewing son who wasn't seen or heard from much during proceedings at South Fork, and primetime serialization imitators like Dynasty and Falcon Crest.
So for the show that kicked off the nighttime drama trend that's status quo today, we tip those ten-gallon hats and breathe a secret sigh of relief that J.R. was just a fictional character who couldn't manipulate us in real life. Because let's be honest, that guy could have taken most of us down.
In 1986, John Dote' produced the soundtrack theme from Dallas on American Artists Records which charted at number 6. The theme was removed from radio, but then re-added when Dote' hired Little Richards promotion men.
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